By Angel Gonzalez
Angel González (Oviedo, 1925) es sin duda uno de los mayores y más representativos poetas de los angeles « Generación poética del 50 ». El presente volumen recoge ciento un poemas seleccionados por el propio autor de su ya mítica obra « Palabra sobre palabra », además de 19 poemas inéditos.
Ángel González obtuvo el Premio Príncipe de Asturias de las Letras en 1985 y en 1996 el Premio Reina Sofía de Poesía Iberoamericana. En este mismo año de 1996 fue elegido miembro de l. a. actual Academia Española.
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Translated William O'Daly
In the creation to this bilingual quantity, the translator reminds us: "Neruda spent the final 40 years of his lifestyles making himself risky together with his poetry. .. He got here to determine poetry as an ethical act, with own and communal tasks. " yet the following, Neruda is at his playful and irreverent top. no matter if writing a party, allegory, lament or self-parody, the poet pronounces the robust experience of an improvisational spirit. Highlighted as "Essential" by means of Library Journal.
Nolan's advent situates this quantity in the Nobel Laureates's oeuvre with sensitivity. If translation is between different things-- the artwork of creating offerings, Nolan's offerings are regularly being concerned and considerate. Neruda strangley has now not fared good in American translation. .. and notwithstanding we quibble with Nolan's offerings right here and there, he brings the readability of a poet to those translations.
—Small Press, Dec. 1988
The works of this award-winning poet and novelist are wealthy with the language and impacts of 2 cultures: these of the Dominican Republic of her adolescence and the the United States of her early life and maturity. they've got formed her writing simply as they've got formed her existence. In those seventy-five autobiographical poems, Alvarez's transparent voice sings out in each line.
This quantity offers a variety of items from a world-class Latinist which screens either his assorted pursuits as a pupil and his constant main issue with Augustan texts, their language and literary texture. the variety of articles, written over greater than 3 many years and together with one formerly unpublished piece, covers an identical hooked up territory - mostly Virgil, Horace, and elegy.
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Extra info for 101 + 19 = 120 poemas
In his intoxication the young man describes various scenes as beheld by the gods: Tiresias, the Centaurs, Scythian nomads, and so on; then he rehearses all these-the characters being now pictured in painful situations-with the sympathetic insight of a human being. " This is, we might say, a semilyrical and pictorial treatment of the theme of Keats's two Hyperions, though Arnold could not have known the unpublished second and may not have thought of the first. It has indeed been suggested that his young Dionysian embodies his early view of Keats (witness the citations above) and a misunderstanding of "negative capability" as surrender to sensation.
It might be fairly urged that I have less poetical sentiment than Tennyson, and less intellectual vigour and abundance than Browning; yet, because I have perhaps more of a fusion of the two than either of them, and have more regularly applied that fusion to the main line of modem development, I am likely enough to have my tum, as they have had theirs. (Junes. 1859: Russell, 2, 10) The headings used hereafter are only partial hints, because so many poems might with equal reason appear under two or three.
Ultimately determines all the elements of Arnold's poetics"; but "all" seems excessive,. in view of Arnold's late as well as early insistence on artistic power. "1 Clearly Arnold's theorizing in these years is not consistent in itself, in its relation to his own poetry, or in its censures of Clough's. At first style is the one thing needful; later it is contents. Although Arnold exalts style and form and charges Clough with an excess of thought and lack of beauty, he condemns Keats as "A style and form seeker" and Keats and Shelley together for reviving Elizabethan richness; yet throughout his poetical life Arnold himself was not always "plain direct and severe" but could indulge in sensuous imagery-sometimes with Keatsian echoes-that was not strictly functional.
101 + 19 = 120 poemas by Angel Gonzalez