By Kasparov

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24 See Shkandrij’s essay in this volume. 171 on Mon, 19 Oct 2015 18:29:27 UTC All use subject to JSTOR Terms and Conditions 7 Alexander Archipenko, Untitled (The Boxers), 1914, Collection of the Winnipeg Art Gallery. Acquired with funds from the Alpha Omega Women’s Alumnae, the Ukrainian Community of Winnipeg, and The Winnipeg Foundation.

See, for example, Irena R. Makaryk, ‘The Perfect Production: Les Kurbas’s Analysis of the Early Soviet Audience,’ Gramma: Journal of Theory and Criticism 15 (2007) 89–109. 22 Endre Bojtar, East European Avant-Garde Literature, trans. Pál Várnai (Budapest: Akadémiai Kiadó, 1992) 37–8. 23 John E. Bowlt, ‘National in Form, International in Content: Modernism in Ukraine,’ in Ukrains’kyi modernism. Ukrainian Modernism 1910–1930, catalogue, Anatoly Melnyk, project director (Kyiv: Natsional’nyi Khudozhnyi Muzei Ukrainy, [2006]) 76.

Petrysky and Meller created wonderful costumes and fantastic ‘constructions’ – set designs. ’ Victor Shklovsky lectured there. Vsevolod Meyerhold brought his productions to Kyiv, where he ‘faced off’ with the shows of Kurbas, igniting a polemical debate in the press. The Kultur-Lige (Yiddish Culture League) exhibited, among others, the works of El Lissitzky and Boris Aronson. Anatoly Butsky shocked his own musicians with his atonal music. Pavlo Tychyna and Mykhail Semenko turned literary notions upside down with their poetry.

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A Photo Album (from the book 'Unlimited Challenge') by Kasparov

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