By Jane Campbell Hutchison
Hutchison's publication is an entire advisor on Durer and the learn on his paintings, his old import and his aesthetic legacy.
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Extra info for Albrecht Durer: A Guide to Research (Artist Resource Manuals)
Vicenza: Neri Pozza, 1980. 34 ALBRECHT DÜRER: A GUIDE TO RESEARCH From the papers of the international conference on Titian held in Venice in 1976, honoring the four hundredth anniversary of the artist’s death. Ballarin’s paper deals with the style and chronology of Titian’s work in Venice before the decoration of the new Fondaco dei Tedeschi—that is, between 1506, when Dürer was in residence in the city, until 1511. He examines the succesive influences of Giovanni Bellini, Dürer and Giorgione, and also provides a chronology for Giorgione’s work between 1506–1508.
Achilles-Syndram, Katrin. ” Kunst des Sammelns. Das Praunsche Kabinett. Meisterwerke von Dürer bis Carracci, 35–55. Ed. Katrin Achilles-Syndram. Nuremberg: Verlag des Germanischen Nationalmuseums , 1994. ” The principles and procedures of Rudolf II, as well as of bourgeois collectors such as Basilius Amerbach (1533– 1591), and of the artist/theoretician Giorgio Vasari are discussed in this connection, and original correspondence between Rudolf II and Paulus Praun is cited. 5. Acton, David. ” Bulletin, Museums of Art and Archaeology, University of Michigan 4 (1981):40–53.
Bibliotheca Artibus et Historiae, Józef Grabski, Vienna: IRSA, 1988. Using the 1500 Self Portrait, the portraits of Albrecht Dürer the Elder (1490), Conrad Verkell (drawing, 1508), Michael Wolgemut (1519), the Infant Jesus from the Virgin and Child with the Pink and Portrait of a Clergyman (both 1516), Willibald Pirckheimer (1524), and the Four Holy Men (1526), the author discusses Dürer’s method of indicating luster—the highlighting of the convex surface of the human eye by using reflections of windows of various shapes.
Albrecht Durer: A Guide to Research (Artist Resource Manuals) by Jane Campbell Hutchison