By Deborah Daw Heffernan

ISBN-10: 1504009193

ISBN-13: 9781504009195

Within the phrases of Mehmet oz., MD: "An Arrow in the course of the center is an epiphany for girls who mistakenly think that they're immune from the ravages of center affliction. utilizing her middle as a magnifying glass, Deborah Daw Heffernan presents readers with a window into their souls."
This groundbreaking memoir used to be first pointed out on Oprah Winfrey's life-saving 2002 convey asserting heart problems as a number one reason behind dying between younger ladies. That tragic truth remains to be precise. With either intensity and humor, Deborah Daw Heffernan recounts her first yr of restoration from the big center assault that ambushed her in a steady yoga class—during the top of her lifestyles and regardless of her impeccable health and wellbeing history.

Ranging from high-stakes motion within the OR at Massachusetts basic health center in Boston to quietly unfolding seasons on a lake in Maine, An Arrow during the center is a relocating and informative tale of what it takes to discover one's personal route to real therapeutic. eventually, Heffernan combines allopathic and complementary medication to create a wise restoration technique for our instances. She touchingly describes her husband's devotion and the toll that her heart problems takes on him, in addition to how he, too, grew from the adventure. Weaving their tale with the lives of friends and family, Heffernan demonstrates how sickness will be transformative for all involved.

Not basically an empowering spouse for cardiac sufferers, this clinical vintage is a consultant to restoration from catastrophic switch of any variety. specially, it's a robust testomony to the unforeseen pleasure that could come from best a lifetime of stated impermanence. Updates contain cardiovascular info for today's reader, hyperlinks to the author's site and different assets, a brand new part on SCAD (spontaneous coronary artery dissection), and— spoiler alert—a center transplant in 2006. All author's proceeds are donated to cardiac causes.
Deborah Daw Heffernan is a graduate of Georgetown and Harvard Universities. She has labored as a instructor in Switzerland, an affiliate dean at Boston college, and a contract author. For fourteen years she used to be vp of a number one Boston-based company training/consulting firm—until a near-fatal center assault replaced her existence endlessly. She lives along with her husband, Jack, on a small lake in Maine.

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Brilliant argues in a recent article (2007: 10-11) that style is a “metahistorical term” and a “fictive artifact” with “its own historical interpretation,” which is “trying to simplify the apparent chaotic nature of artistic production at some time in some place, and providing therefore some useful normative appellation” (Brilliant 2007, 10-11 with references to Shapiro, 1962: 278-303; 1998: 143; Goodman, 1975: 799-811; Lang, 1987; Elkins, 1996: 876-883). The term “Roman style” is too ample to carry any significance, as it embraces all art produced in the Empire.

In the early 20th century, structuralism dominated theoretical perspectives in art and archaeology, and Kaschnitz von Weinberg was a leading figure in the field of ancient sculpture studies. He, in turn, was a follower of Riegl, who 7 is often regarded as the founder of stylistic studies (Brilliant, 2007: 16). Riegl’s first work, Stilfragen (1892), was published in relation to a discussion of ugliness and art in Vienna at the end of the 19th century (Kiilerich, 2007b). The volume embodied an abstract approach to the phenomenon of style and was a counterpart to his later work, Spätrömische Kunstindustrie (1902), which emphasised lateRoman form, material and visuality (Riegl, 1892, 1902).

Military insignia were 16 chapter one the most prestigious spolia, and commanders brought them back to Rome to display in their triumphs, but even gems can be considered spolia; for example, a gem of Livia is now set into the so-called Merrimann cross in Aachen, which dates to the time of Charlemagne (Forsyth, 1995: 153). The concept of spolia was well understood by the 4th century (Alchermes, 1994: 167). 19). Since the term spolia was associated with objects removed from their original context, often by force, it was well-suited to reused architectural materials in Late Antiquity, which in most cases were quarried—spoliated, one might say—from buildings.

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An Arrow Through the Heart: One Woman's Story of Life, Love, and Surviving a Near-Fatal Heart Attack by Deborah Daw Heffernan

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